New PDF release: Antonio Stradivari

By Hill A & H

Хорошо иллюстрированная и переизданная (первое издание было в 1902 г.) биография Антонио Страдивари. Для книги характерно внимание к деталям как жизни так и творчества великого мастера. Подробно описывается техническая сторона (насколько она стала известна авторам) изготовления его инструментов. Книга хорошо написана и интересно читается.
Доп. информация: Хотя качество среднее но тем не менее книга вполне читаемая как с экрана так и после распечатки (кому что больше нравится). Эта книга на английском языке.

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Sample text

McGill Journal of Education, 36(3), 197–218. Russell, J. (2002). Sites of learning: Communities of musical practice in the Fiji Islands. Bergen: International Society for Music Education. Sheldon, D. , & Price, H. E. (2005). Gender and instrumentation distribution in an international cross-section of wind and percussion ensembles. Bulletin of the Council for Research in Music Education, 163, 43–51. Swanson, F. J. (1977). The male changing voice ages eight to eighteen. Cedar Rapids, IA: Lawrence Press.

G. Freer, 2009b). Adolescent boys like to move, to interact with one another, to work in groups in various locations of the room, and with changes of activity every 12 min or so. These suggestions are supported by other research about the pacing of choral rehearsals for young adolescents (Freer, 2008b, 2007). In these activities, boys want to focus on the development of vocal skills, vocal technique, and music reading skills rather than repeatedly drilling the pitches and rhythms of a small number of repertoire selections (Freer, 2009a).

2 Issues Some of the factors contributing to choral music’s problem of missing males can be identified as structural, developmental, and motivational. Teachers of young adolescents in general, and of young adolescent boys in particular, are often caught between knowledge of appropriate practices for working with youngsters and tradition-bound practices of choral music instruction and performance. The stereotypical yet dominant authoritarian model of conductor conflicts with the cognitive, psychological and physical functioning of young adolescents (Freer, 2007).

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Antonio Stradivari by Hill A & H


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