By Jason Pugatch
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Extra resources for Acting Is a Job: Real Life Lessons about the Acting Business
Comedy had never seen such unpracticed success. The shows included a cast of stock characters: archetypes upon which many of today’s comic characters are built. Pantalone, the bitter, rich miser, Zanni, the clown, and the Innamorati, or lovers, wrestled along plot lines consisting of such elements as lovers separated by a mean, slightly lecherous father; clowns who screwed things up and then came to the rescue; and doctors who knew little of medical practice other than the enema, and who practiced in full disregard of the Hippocratic oath.
The main problem is that producers are union-busting and presenting shows under the guise of Broadway. A successful Broadway show will always tour to make money. But basically, a Xerox copy of the Tony Award winner is being shipped out to the rest of the country. The Unions Yes. We have unions. Three of them. The proud ranks of Actors’ Equity Association (AEA), the Screen Actors Guild (SAG), and the American Federation of Television and Radio Artists (AFTRA) number well into the hundreds of thousands.
P. cm. Includes index. ) ISBN 9781581158403 1. Acting—Vocational guidance. I. Title. 02’8023—dc22 2006001955 Printed in Canada For my parents ACKNOWLEDGEMENTS I owe not only a considerable debt of gratitude, but many, many free lunches, to Ethan Angelica, my extraordinary research assistant. Thanks are due to Jamee Freedus as well, for additional research. Sky Spiegel, Rose Kernochan, and Val Day, each of whom believed in this project, encouraged me to press forward, and helped me navigate the maze of the publishing industry.
Acting Is a Job: Real Life Lessons about the Acting Business by Jason Pugatch