By LARRY McCABE
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Additional info for 101 Bad to the Bone
Deciding on a freelance music teaching career, Larry received his degree in education from the University of Arizona in 1979. Since graduating from college, Larry has taught over 30,000 private music lessons as well as classes on the history of American popular music and jazz. An experienced blues guitarist, he played in the Gulf Coast Blues band, wrote a Living Blues magazine column called "Blues Box,’ and is currently on the nominating committee for the annual W. C. Handy awards. Larry’s vast experience in private teaching has given him a unique understanding of the educational needs of the typical music student.
5 Basic 8-bar blues in A AE DD AE Ex. 6 Basic 8-bar blues in E AE BEB7 Ex. 7 Basic 8-bar blues in F Ex. 8 Basic 8-bar blues in Rb B F7 E" EL’7 F7 Ex. 9 Basic 8-bar blues in Eb 38 B’ F7 VARIATIONS ON THE BASIC 8-BAR BLUES PROGRESSION Like the blues forms discussed previously, there are a number of standard 8-bar blues progressions. Examples 10-17 below show several common variations on the basic 8-bar blues progression. Each variation appears first in Roman Numerals; the Roman Numerals are then transposed to the key of C.
14 12-bar minor-key variation #3 im7 ivm7 im7 This progression has a im7-ivm7-im7-V7 turnaround in measures 11-12 ivm7 im7 Fm7 Cm7 Cm7 im7 im7 V ivm7 im7 ivm7 im7 V7 Optional chords for measure 10: V7sus / V7b9 / Ex. 15 Variation #3 in the key of C minor Cm7 ivm7 Fm7 Fm7 Cm7 Cm7 im7 im7 G7 Fm7 Cm7 Fm7 Cm7 G7 Ex. 16 12-bar minor-key variation #4 im7 ivm7 im7 im7 ivm7 ivm7 VIMaj im7 im7 Cm7 Cm7 I Ex. B. King’s The Thrill is Gone’ in B minor Cm7 Fm7 I - Fm7 Cm7 Cm7 ifiif 37 A1’maj Gt’ -I Appendix 4 8-Bar Blues Progressions in Major Keys A third type of blues progression, the eight-bar blues, is almost always played in a major key.
101 Bad to the Bone by LARRY McCABE